By Bonnie Lenore Kyburz
Copy edited by Don Donahue. Cover design by Than Saffel. Book design by Mike Palmquist.
bonnie lenore kyburz' reflective and deeply felt sense of (her) place in Composition creates room to consider some of the rhetorical dimensions and pedagogical implications of film work in writing classrooms and as digital scholarship. Invoking affect theorist Lauren Berlant's concept of "cruel optimism" to articulate the findings of her archival, analytical, and experiential methods, Cruel Auteurism describes a cultural shift within the discipline, from the primacy of print-based arguments, through an evolving desire to generate cinematic rhetorics, toward increasingly visible forms of textual practice currently shaping composition classrooms and digital scholarship.
bonnie lenore kyburz teaches writing and rhetoric at Northern Illinois University. She works to support creative vision and attempts to compose reflective, rhetorically timely texts via digital filmmaking, installations, multimodal composing, and print. She makes short digital films, documentaries and experimental pieces that hope to resonate as entertaining, provocative arguments for evolving scholarly scenes. kyburz values metacognitive work that announces its emergence from an artist's immersive process. Her work appears in Kairos: A Journal of Rhetoric, Technology, and Pedagogy, Enculturation: A Journal of Writing, Rhetoric, and Culture, Composition Studies, College English, and other NCTE publications.
Publication Information: Kyburz, Bonnie Lenore. (2019). Cruel Auteurism: Affective Digital Mediations toward Film-Composition. The WAC Clearinghouse; University Press of Colorado. https://doi.org/10.37514/WRI-B.2019.0025
Online Publication Date: January 15, 2019
Print Publication Date: September 2019
ISBN: 978-1-64215-002-5 (PDF) | 978-1-64215-018-6 (ePub) | 978-1-60732-918-3 (pbk.)
bonnie lenore kyburz: firstname.lastname@example.org
Series Editor: Cheryl E. Ball, Wayne State University
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Copyright © 2019 bonnie lenore kyburz. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 International License. 172 pages, with notes, illustrations, index, and bibliographies. Available in print from University Press of Colorado, or at any online or brick-and-mortar bookstore. Available in digital format for no charge on this page at the WAC Clearinghouse. You may view this book. You may print personal copies of this book. You may link to this page. You may not reproduce this book on another website.