Copy(write): Intellectual Property in the Writing Classroom

Edited by Martine Courant Rife, Shaun Slattery, and Dànielle Nicole DeVoss
Copy edited by Daisy Levy. Designed by Jeremy Harder.

CoverThe editors of Copy(write): Intellectual Property in the Writing Classroom bring together stories, theories, and research that can further inform the ways in which we situate and address intellectual property issues in our writing classrooms. The essays in the collection identify and describe a wide range of pedagogical strategies, consider theories, present research, explore approaches, and offer both cautionary tales and local and contextual successes that can further inform the ways in which we situate and address intellectual property issues in our teaching.

Table of Contents

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Front Matter

Preface, Martine Courant Rife, Shaun Slattery, and Dànielle Nicole DeVoss
DOI: 10.37514/PER-B.2011.2355.1.1

Part I: The Law, the Landscape

The Fair Use Battle for Scholarly Works, Jeffrey Galin
DOI: 10.37514/PER-B.2011.2355.2.01

Plagiarism and Promiscuity, Authors and Plagiarisms, Russel Wiebe
DOI: 10.37514/PER-B.2011.2355.2.02

Authoring Academic Agency: Charting the Tensions between Work-for-hire University Copyright Policies,Timothy R. Amidon
DOI: 10.37514/PER-B.2011.2355.2.03

Soul Remedy: Turnitin and the Visual Design of End User License Agreements, Barclay Barrios
DOI: 10.37514/PER-B.2011.2355.2.04

Images, the Commonplace Book, and Digital Self-Fashioning, Bob Whipple
DOI: 10.37514/PER-B.2011.2355.2.05

Intellectual Properties in Multimodal 21st-Century Composition Classrooms, Tharon W. Howard
DOI: 10.37514/PER-B.2011.2355.2.06

Is Digital the New Digital?: Pedagogical Frames of Reference and Their Implications in Theory and Practice, Robert Dornsife
DOI: 10.37514/PER-B.2011.2355.2.07

Response to Part I—"An Act for the Encouragement of Learning" vs. Copyright, John Logie
DOI: 10.37514/PER-B.2011.2355.2.08

Part II: The Tools

What We Talk About When We Talk About Fair Use: Conversations on Writing Pedagogy, New Media, and Copyright Law, Steve Westbrook
DOI: 10.37514/PER-B.2011.2355.2.09

Parody, Penalty, and Pedagogy, E. Ashley Hall, Kathie Gossett, and Elizabeth Vincelette
DOI: 10.37514/PER-B.2011.2355.2.10

Copy-rights and Copy-wrong: Intellectual Property in the Classroom Revisited, Janice R. Walker
DOI: 10.37514/PER-B.2011.2355.2.11

Rhetorical Velocity and Copyright: A Case Study on Strategies of Rhetorical Delivery, Jim Ridolfo and Martine Courant Rife
DOI: 10.37514/PER-B.2011.2355.2.12

Following the Framers: Choosing Pedagogy to Further Fair Use and Free Speech, TyAnna Herrington
DOI: 10.37514/PER-B.2011.2355.2.13

Response to Part II—Being Rhetorical When We Teach Intellectual Property and Fair Use, James E. Porter
DOI: 10.37514/PER-B.2011.2355.2.14

Part III: The Pedagogy

Toward a Pedagogy of Fair Use for Multimedia Composition, Renee Hobbs and Katie Donnelly
DOI: 10.37514/PER-B.2011.2355.2.15

Intellectual Property Teaching Practices in Introductory Writing Courses, Nicole Nguyen
DOI: 10.37514/PER-B.2011.2355.2.16

Moving Beyond Plagiarized / Not Plagiarized in a Point, Click, and Copy World, Leslie Johnson-Farris
DOI: 10.37514/PER-B.2011.2355.2.17

Couture et Écriture: What the Fashion Industry Can Teach the World of Writing, Brian Ballentine
DOI: 10.37514/PER-B.2011.2355.2.18

The Role of Authorship in the Practice and Teaching of Technical Communication, Jessica Reyman
DOI: 10.37514/PER-B.2011.2355.2.19

Response to Part III—Fair Use: Teaching Three Key IP Concepts, Rebecca Moore Howard
DOI: 10.37514/PER-B.2011.2355.2.20

Afterword, Clancy Ratliff
DOI: 10.37514/PER-B.2011.2355.3.2

Biographical Notes

Index

About the Editors

Martine Courant Rife, J.D., Ph.D., is a professor of writing at Lansing Community College, where she teaches courses in digital authorship, technical and business writing, and first-year composition. She serves as Senior Chair of the CCCC-IP Caucus and is a CCCC-IP Committee member. Rife received the 2007 Frank R. Smith Outstanding Journal Article Award for "Technical Communicators and Digital Writing Risk Assessment."

Shaun Slattery is a strategy consultant for a social software company and has been a faculty member at DePaul University and the University of South Florida Polytechnic, where he taught technical and professional writing and new media. His research on digital writing practices has been published in Technical Communication Quarterly; Technical Communication; Rhetorically Rethinking Usability: Theories, Practices, and Methodologies (Hampton Press, 2009); and Digital Writing Research: Technologies, Methodologies, and Ethical Issues (Hampton Press, 2007).

Dànielle Nicole DeVoss is a professor of professional writing at Michigan State University. Her co-edited collections include Digital Writing Research: Technologies, Methodologies, and Ethical Issues (with Heidi McKee; Hampton, 2007), which won the 2007 Computers and Composition Distinguished Book Award, and Technological Ecologies and Sustainability (with Heidi McKee & Dickie Selfe; Computers and Composition Digital Press, 2007). She also published—with Elyse Eidman-Aadahl & Troy Hicks—Because Digital Writing Matters (Jossey-Bass, 2010).

Publication Information: Rife, Martine Courant, Slattery, Shaun, & DeVoss, Dànielle Nicole (Eds.). (2011). Copy(write): Intellectual Property in the Writing Classroom. The WAC Clearinghouse; Parlor Press. https://doi.org/10.37514/PER-B.2011.2355

Publication Date: August 14, 2011

ISBN: 978-0-97270-235-5 (pdf) | 978-0-97270-236-2 (epub) | 978-1-60235-262-9 (pbk.)
DOI: 10.37514/PER-B.2011.2355 

Contact Information:
Martine Courant Rife: martinerife@gmail.com
Shaun Slattery: shaun.slattery@gmail.com
Dànielle Nicole DeVoss: devossda@msu.edu

Perspectives on Writing

Series Editor: Susan H. McLeod, University of California, Santa Barbara

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Copyright © 2011 Martine Courant Rife, Shaun Slattery, and Dànielle Nicole DeVoss. This work is released under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 International License. 432 pages, with bibliography, index, and illustrations. Available in print direct from Parlor Press online, or at any online or brick-and-mortar bookstore. Available in digital format for no charge on this page at the WAC Clearinghouse. You may view this book. You may print personal copies of this book. You may link to this page. You may not reproduce this book on another website.