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WAC Clearinghouse News & Updates

Dan MelzerThe WAC Clearinghouse News and Updates section is a place to find information about current WAC conferences, retreats, calls for submissions, publications, and a variety of other events of interest to the WAC community. The News and Updates section will be updated weekly.

I encourage WAC Clearinghouse visitors and members to send me information to post on the News and Updates pages. If you would like to announce a WAC conference or retreat, advertise a new WAC publication, put out a call for submissions to a WAC book or journal, or have any other news of interest to the WAC community, please send me the information at dlmelzer@aol.com.

-- Dan Melzer
News and Information Editor

2010 WPA esearch Grant Proposals
CALL FOR 2010 WPA RESEARCH GRANT PROPOSALS

The Research Grants Committee of the Council of Writing Program
Administrators invites proposals for research projects that investigate
issues and practices in writing program administration. Maximum awards of
$2000 may be given; average awards are $1000. Applicants must be current WPA
members; all current WPA members are eligible to apply.

Deadline for Proposals: January 1, 2010

Please organize your proposal as follows:

1. A cover page that gives the names of all investigators (please don't
identify yourself or your institution in the rest of the proposal), the
proposal/project title, mailing addresses, email addresses and phone
numbers.

2. A project overview of no more than two pages single-spaced in which you:

. explain the problem or question your research project will attempt
to investigate or solve

. briefly outline the methodology you plan to use to approach the
problem

. describe how the project will address the problem or question you
have identified

. give a timetable detailing how the project will proceed

. connect the project to previously published research and
scholarship

. describe your expertise in this area

. describe how the results will be shared professionally (See
"Expectations of Reward Recipients" below)

3. A realistic, detailed budget on a separate page. For grants over $1000,
in-kind budget items or alternative budget sources need to be included in
the budget. State also if you will accept partial funding.

CRITERIA FOR SELECTION

You may find the following criteria useful in preparing your proposal. The
WPA Grants Committee will use these criteria to conduct blind reviews of all
proposals.

1. Relevance: The project is relevant to the work of writing program
administrators, it applies to contexts outside of the immediate
institutional context of origin, and writing program administrators will
benefit from the outcomes of this project.

2. Contribution: The project not only is related to prior scholarship and
research but also makes an original contribution.

3. Proposer's Past Scholarship/Expertise: Through prior research and
expertise, the proposer is well-prepared to undertake this project.

4. Methods: The methodology is clear, workable, and appropriate to this
project.

5. Feasibility: The proposer can reasonably complete the project in the
proposed time frame.

6. Cost Effectiveness: The budget expenditures are reasonable and the
project's outcomes justify the project's expenses.

Restrictions:

. Ordinarily, you will not receive funding for released time for the
grantee or others; for purely local initiatives or projects with little
relevance to other settings; for outside consultants or evaluators; for the
production of non-researched materials; for dissertation research; travel to
present your research at WPA or any other conference. (Funding for travel
to conferences for research purposes may be considered) or for supplements
to existing grants, unless it is clear that the WPA grant provides an
opportunity to extend the project in new directions.

. WPA does not generally fund institutional overhead. If grants are
approved that require institutional overhead, WPA will allow no more than
10% of funding to institutional overhead.

. You may not submit more than one proposal per year. The Committee
will give first consideration for awards to those who have not received an
award for three years.

. Former WPA Board members should wait a year after their term has
expired to apply for a grant.

EXPECTATIONS OF REWARD RECIPIENTS

1. Grantees are expected to submit articles resulting from the research to
WPA Journal for first consideration.

2. Grantees are expected to produce a brochure presenting research results
at the annual CCCC's WPA breakfast in the year during which the award is
granted. Applicants should budget approximately $200 for production of the
brochure in their application.

3. Grantees are expected to submit a final written report of their research
outcomes to the Chair of the Research Grants Committee by June 15 of the
year after they receive the award. Ordinarily, reports will be 5-7 pages in
length. In some circumstances, grantees may need more space, in which case a
report of up to 10 pages is acceptable. These reports should outline
specific plans for submitting an article reporting the results to the WPA
Journal as well as other plans for dissemination.

Questions about proposals can be directed to

Barbara L'Eplattenier bleplatt AT ualr.edu

The preferred method for proposal submission is a Microsoft Word attachment
to an e-mail sent to Barbara L'Eplattenier bleplatt AT ualr.edu

If applicants need to send paper copies, please send four copies of the
proposal to the address below. E-mails and paper copies must be received no
later than January 1, 2010.

Barbara L'Eplattenier
Department of Rhetoric and Writing
2801 S. University Ave
Little Rock AR 72204-1099

Winners will be announced at the 2010 WPA breakfast at the Conference on
College Composition and Communication.
Call for Proposals: Across the Disciplines
For more information: http://wac.colostate.edu/atd/

 

Call for Proposals
A special issue of Across the Disciplines, Fall 2010
 
Writing across the Curriculum at the Community College:  Beating the Odds
 
Guest editor:  Clint Gardner, Salt Lake Community College
 
Writing across the curriculum and writing in the disciplines (WAC/WID) programs in community colleges have been the focus of only sporadic scholarship over the years.  While there are a smattering of articles, a handful of doctoral dissertations, and a few books devoted to the subject (mostly from the late 80’s and mid-90’s), substantial research on WAC/WID from a community college perspective seems seriously lacking in comparison to the research that has been conducted in other postsecondary settings.  Given the pervasive teaching mission that all community colleges share, the collaborative drive that many experienced faculty from across the disciplines display, and the community college’s specific commitment to general education, it seems certain that a great deal of WAC/WID work is taking place in community colleges, even if that work is not specifically referred to on campus as “WAC” or “WID.”  In this issue of Across the Disciplines, therefore, we will focus the spotlight on community college WAC/WID initiatives and seize the opportunity to expand the range of scholarly work in this area, exploring the challenges that community college WAC programs face, the ways in which student demographics and goals shape their experience of writing in the disciplines, and what the future of WAC/WID might be at the community college level.
 
We invite proposals for articles that explore questions such as the following, as well as others related to the topic of Writing across the Curriculum/Writing in the Disciplines at the Community College:
 
·         What are the parameters of community college WAC/WID initiatives?  How do they work?  What are their successes?  Their failures? 
·         How does WAC/WID relate to general education in community college curricula?  How does general education use writing as a key pedagogy?  How are faculty from across the disciplines prepared to teach writing intensive courses?
·         What special challenges do community college WAC/WID programs face?
·         What are the effects of working conditions and teaching loads on WAC/WID initiatives?
·         What is the history of WAC/WID initiatives at community colleges?
·         How are effective WAC/WID programs administered at community colleges?
·         What role do community college writing centers play in WAC/WID?
·         How do community college WAC/WID programs integrate with distance learning initiatives?
·         How do structural/administrative issues shape the outcomes of WAC/WID at the community college?
·         What are the outcomes of WAC/WID for the community college student?
·         How do community college WAC/WID programs align themselves with their institution’s educational mission?
·         How are community college WAC/WID programs assessed, and how are these assessments tied to budgetary, political, or accreditation needs?
·         How do the community college student’s educational experience and educational goals affect the structure and/or outcomes of WAC/WID?
We're eager to read innovative work that critically explores the foundations, implications, and influence of writing technologies and WAC/WID initiatives—work that is theoretically informed, that offers original research data, and that builds on appropriate literature reviews. Descriptions of specific WAC/WID initiatives are welcome but they should be situated within an analysis of a larger issue(s).
 
We welcome inquiries about ideas for proposals.
 
Deadline for Proposals: September 1, 2009
Notification of Acceptance: by November 2009
Manuscripts Due: March 1, 2010
Publication: Fall 2010
Proposal Format: Please submit a one-page proposal explaining your topic, the research and theoretical base on which you will draw, and your plans for the structure of your article. Proposals and manuscripts should follow APA documentation style, which is the standard for Across the Disciplines. Send your proposal electronically (in MS Word format) to Clint Gardner (Clint.Gardner@slcc.edu), guest editor, and Michael Pemberton (michaelp@georgiasouthern.edu), the editor of ATD. Please be sure to include your full contact information.
 
7th Annual IWCA Summer Institute for Writing

**7th annual IWCA Summer Institute for Writing Center Directors and Professionals**

Sunday, July 12 - Friday, July 18, 2009
Temple University

Philadelphia, PA

(virtual tours of Temple and Philly)<http://www.temple.edu/undergrad/admissions_flash/>

Join co-chairs Lori Salem (Temple University) and Brad Hughes (University of
Wisconsin-Madison), plus seven outstanding leaders (to be announced soon), plus
a great group of Temple writing-center professionals and students, plus 55
wonderful participants from around the US and the world for in-depth and
critical discussions of these kinds of topics--

*       writing center philosophies, missions, theories, and literature
*       leadership in an academic culture
*       diversity and writing centers
*       tutor education
*       planning, growing, developing, and re-imagining a writing center
*       assessment
*       research and publishing
*       collaborating across our campuses and beyond
*       writing fellows
*       writing center politics and administration (or developing your inner
Pollyanna and Machiavelli!)
*       technology and writing centers
*       working with multilingual writers
*       facilities and space
*       WAC, WID, and writing centers
*       communicating with faculty and administrators
*       writing center support for graduate-level writers
*       community writing centers
*       funding, budgeting, fundraising, endowments
*       research with tutor alumni
*       writing center workshops
*       and issues, questions, knowledge and experience that participants bring


Past institutes have been wonderfully enriched by international participants, as
well as by participants from two-year colleges and secondary schools.

Philadelphia is a terrific place to visit in the summer, and not just because of
the Phillies and the cheesesteaks.  We'll be meeting on Temple's campus, a leafy
oasis in the north part of the city, and in Center City, within easy walking
distance of brew pubs, restaurants, bookstores, funky boutiques, and coffee
shops.  Philadelphia's historical sites (the Liberty Bell, Christ Church) are
well worth the trip, as are the city's arts institutions, especially the newly
expanded Art Museum (complete with Rocky Stairs), the Institute of Contemporary
Art, the Mutter Museum (google it!).  Philly is a terrific and welcoming place
for families if you're considering bringing yours, with a major zoo, aquarium,
science museum, history museum, as well as not one but two rivers and the
largest urban park in the country.

Anticipated registration fee: $800 (includes an opening dinner and four
lunches.)

Two sites are available for lodging:  On-campus private dorm rooms at $38/night;
or downtown hotel at approximately $145/night. (On-campus lodging for families
is also available at a slightly higher rate.)

Six scholarships will be available to defray the registration fee.  Stayed tuned
for more details about how to apply.


Registration opens Friday, February 27, 2009.  Participation will be limited to
the first 55 registrants.



Please Note: The institute often fills to capacity two to four months in
advance, so if participating in the 2009 institute is a priority for you, be
sure to register early.  Registration for the 2009 Summer Institute will open on
February 27th.


We'll have more details about leaders, lodging, registration, scholarships, and
transportation options in coming weeks.


Questions about the summer 09 institute?  Please contact us at:


Lori Salem at lori.salem@temple.edu<mailto:lori.salem@temple.edu or
215-204-0709.  Lori is this year's co-chair and local host.  She is the Director
of Temple University Writing Center and Assistant Vice Provost for Undergraduate
Studies

or

Brad Hughes at bthughes@wisc.edu<mailto:bthughes@wisc.edu or 608-263-3823. 
Brad is this year's co-chair.  He is the Director of the Writing Center and the
Director of Writing Across the Curriculum at the University of
Wisconsin-Madison.

Thanks for your interest!

--Lori and Brad
 

Announcing publication of Across the Disciplines special issue on Writing Technologies and WAC
For more information: http://wac.colostate.edu/atd/technologies/index.cfm

Across the Disciplines is pleased to announce the publication of a special issue on “Writing Technologies and Writing Across the Curriculum: Current Lessons and Future Trends” ( http://wac.colostate.edu/atd/technologies/index.cfm), guest edited by Karen Lunsford.  This special issue of ATD explores how and why WAC/WID initiatives incorporate writing technologies, take advantage of emergent forms of writing instruction, and adapt to evolving disciplinary and cultural norms for writing.
 
The table of contents for this special issue includes:
 
Introduction: Writing Technologies and WAC
        Karen J. Lunsford
 
Seduction or Productivity: Repurposing the Promise of Technology
        William Klein & Suellynn Duffey
 
Programs that Work(ed): Revisiting the University of Michigan, the University of Chicago, and George Mason University Programs after 20 Years
        Morgan T. Reitmeyer
 
Online Tutoring: A Symbiotic Relationship with Writing Across the Curriculum Initiatives
        Judy Arzt, Kristine E. Barnett, & Jessyka Scoppetta
 
Developing and Assessing an Online Research Writing Course
         Christopher W. Dean
 
Students' Strengths and Weaknesses in Evaluating Technical Arguments as Revealed through Implementing Calibrated Peer Review in a Bioengineering Laboratory
        Tracy Volz & Ann Saterbak
 
Writing in the Disciplines versus Corporate Workplaces: On the Importance of Conflicting Disciplinary Discourses in the Open Source Movement and the Value of Intellectual Property
        Brian D. Ballentine
 
Writing in the Disciplines, Technology, and Disciplinary Grounding
        Carolyn Sterling-Deer
 
Intersectional Computer-Supported Collaboration in Business Writing: Learning through Challenged Performance
        Dirk Remley
 
Not Just Words Any More: Multimodal Communication Across the Curriculum
        Lillian Bridwell-Bowles, Karen E. Powell, & Tiffany Walter
 

Dr. Michael Pemberton            
Professor, Department of Writing and Linguistics
Editor, Across the Disciplines
Georgia Southern University              
 

Call for Proposals to Host Future IWCA Conferences
For more information: http://writingcenters.org/2008/12/call-for-proposals-to-host-futu ...

Call for Proposals to Host International Writing Centers Association Conference

Recruiting hosts for these conferences:

Spring 2010
Fall 2011
Spring 2013

Proposals are due to the chair of Conferences & Institutes Committee Roberta Kjesrud by February 2, 2009
(Roberta.Kjesrud@wwu.edu)

We urge you to review dates of conflicting conferences, and to consider the costs and ease of attending; with travel budgets in jeopardy, we will be interested to see proposals that include options for our members (especially international members) in attending or accessing the conference electronically. A non-U.S. venue is also attractive to the committee.

Download the complete CFP at http://writingcenters.org/wp-content/uploads/2008/12/host_iwca_cfp.pdf

Position Announcement
For more information: http://www.careers.ualberta.ca/Academic/CompetitionDetails.aspx?k ...

 

Director, Centre for Writers
Department of English and Film Studies, University of Alberta, Edmonton, Alberta, Canada

Competition No.  -   
A10017185
Closing Date  -   
Will remain open until filled.

The Department of English and Film Studies in the Faculty of Arts at the University of Alberta invites applications for a tenure-track position as Assistant Professor in Writing Studies, to commence July 1, 2009.
 
The successful applicant will be a collegial, team-oriented scholar prepared to direct the Centre for Writers and teach courses in the field of Writing Studies. Responsibilities will include teaching at all levels of the curriculum including courses to train undergraduate and graduate tutors for the Centre for Writers. Appropriate course reduction to support the administration and further development of the Centre will be provided. The Director of the Centre for Writers will participate fully in the wider activities of the Faculty of Arts and especially in the University's broad Writing Initiatives, working collaboratively with others such as the Director of Writing Across the Curriculum and the Director of Writing Initiatives.
   
Qualified candidates must hold a PhD degree in an appropriate field or have successfully defended their thesis by July 1, 2009. Applicants will demonstrate a solid theoretical foundation and outstanding potential for a research career. Applicants must also have a record of research, publication, and teaching. A demonstrated commitment to and experience with writing centre research and/or administration will be an asset. 
 
This appointment will be made at or close to entry level and at a salary  that is commensurate with qualifications and experience. Candidates should send a letter of application, a complete curriculum vitae (with full contact information, including phone numbers and e-mail address), a writing sample (20-page maximum), the names and contact information of at least three referees, and a teaching dossier, including evaluations of teaching performance. Candidates are responsible for ensuring that relevant official transcripts and letters of reference from the three named referees are sent directly to the Department. Review of applications will begin 28 February 2009; however the competition will remain open until filled. All application materials should be sent directly to: 
 
Garrett PJ Epp, Chair
Department of English and Film Studies
3-5 Humanities Centre, University of Alberta
Edmonton, AB T6G 2E5
Canada 
 
For further information about the position or the Department, please contact the Chair by email at garrett.epp@ualberta.ca. For information about the Centre for Writers or the work of the recent university-wide Writing Task Force, see http://www.uofaweb.ualberta.ca/arts/wtf.cfm
 
With more than 37,000 students and 14,000 staff, the University of Alberta (www.ualberta.ca) grants almost 7,500 degrees annually to graduates of 200 undergraduate and 170 graduate programs. A research-intensive, medical-doctoral, multi-campus institution, the University of Alberta offers a full range of academic and professional programs and has designated 26 areas of established and emerging research excellence. The Faculty of Arts (www.arts.ualberta.ca) is its largest Faculty with over 350 faculty members in 15 departments in Fine Arts, Humanities, and Social Sciences in addition to the Women's Studies Program and the Office of Interdisciplinary Studies. The Faculty of Arts has approximately 6000 undergraduate and 900 graduate students. The Faculty provides a variety of opportunities for research funding, including the newly established $1.5 million Killam Research Fund which supports research, scholarship, and creative activities in the humanities, social sciences, and fine arts. Within the Faculty, the Humanities has particular strengths in humanities computing and in creative writing. The Faculty has also recently helped establish interdisciplinary units such as the Centre for Writers, the China Institute, the Canadian Literature Centre, the Institute for United States Policy Studies, and the Prince Takamado Japan Centre for Teaching and Research. The Department of English and Film Studies itself (www.arts.ualberta.ca/efs/) is a large, vibrant, and collegial unit with a superlative record for teaching, research, and service.   
 
Greater Edmonton (www.edmonton.ca), with nearly one million residents in the city and surrounding communities, offers a beautiful, park-like setting on a spectacular river valley. The city is the capital of Alberta, with the lowest provincial tax regime in the country, and has led the nation in economic growth in the past five years. Edmonton is known as Canada's Festival City, with more than thirty major annual festivals celebrating its rich cultural diversity and community spirit. It has all the attractions of a big city, yet it is clean, safe, and livable, with excellent schools and health care.
 
http://www.careers.ualberta.ca/Academic/CompetitionDetails.aspx?key=4266
Parlor Press WPA Series
For more information: http://www.parlorpress.com/wpa.html
Dear Colleagues, 
 
It is with great pleasure that Margot Soven and I announce a new series with Parlor Press on Writing Program Administration. The series provides a venue for scholarly monographs and projects that are research or theory-based and that provide insights into important issues in the field. We encourage submissions that examine the work of writing program administration, broadly defined (e.g., not just administration of first-year composition programs). Possible topics include but are not limited to: 
 
  ? Historical studies of writing program administration or administrators (archival work is particularly encouraged); 
  ? Studies evaluating the relevance of theories developed in other fields (e.g., management, sustainability, organizational theory); 
  ? Studies of particular personnel issues (e.g., unionization, use of adjunct faculty); 
  ? Research on developing and articulating curricula 
  ? Studies of assessment and accountability issues for WPAs; 
  ? Examinations of the politics of writing program administration WPA work at the community college. 
 
Please see the website for information about how to propose a book for this series: http://www.parlorpress.com/wpa.html 
 
 
Susan H. McLeod, Research Professor 
University of California, Santa Barbara 
http://www.writing.ucsb.edu/faculty/mcleod.htm 
 

Composing a Community: A History of Writing Across the Curriculum
For more information: http://parlorpress.com/sales.html

Composing a Community
A History of Writing Across the Curriculum

 

Writing across the curriculum is experiencing a renaissance in institutions across the country. People starting or restarting WAC programs will want to read Composing a Community: A History of Writing Across the Curriculum.

Composing a Community is not only a history of early WAC programs but also of how the people developing those programs were in touch with one another, exchanging ideas and information, forming first a network and then a community. Composing a Community captures the stories of pioneers like Elaine Maimon, Toby Fulwiler, and others, giving readers first-hand accounts from those who were present at the creation of this new movement. David Russell’s introduction sets this emergent narrative into relief.

Susan H. McLeod and Margot Iris Soven, themselves pioneers in WAC history, have assembled some of its most eloquent voices in this collection: Charles Bazerman, John C. Bean, Toby Fulwiler, Anne Herrington, Carol Holder, Peshe C. Kuriloff, Linda Peterson, David R. Russell, Christopher Thaiss, Barbara E. Walvoord, and Sam Watson. Their style is personal, lively, and informal as the authors succeed in putting their personal memories in the larger context of WAC studies.



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